12.29.2019

Hyperlinks + Modernity Critical Perspectives : Kiloh

January 9: What is Modernity?

Eisenstadt, S.N., “Multiple modernities” Daedalus Vol. 129, No: 1 (Winter 2000), 1-29.

Jürgen Habermas, “Modernity: An Unfinished Project” Habermas And the Unfinished Project of Modernity. Edited by Maurizio Passerin d'Entrèves and Seyla Benhabib. Cambridge: MIT Press, 1997, 38-55.


Dussel, E. “Modernity, European Empires, Colonialism and Capitalism: Towards an Understanding of the Trans-modernity Process.” Theologies and Cultures. Rethinking Globalization, Vol. 1, No. 1 (2004), 24-50.

January 16: Postmodern / Metamodern

Lyotard, Jean-François excerpt from The Postmodern Condition: A Report on Knowledge” From Modernism to Postmodernism: Anthology. Edited by Lawrence Cahoone. London: Blackwell 2012, 259- 277.

Vermeulen, Timotheus; van den Akker, Robin. "Notes on Metamodernism". Journal of Aesthetics and Culture, Vol. 2 (2010). 1–14.




January 23: Enlightenment and the Modern Individual I

Kant, Immanuel, “An Answer to the Question: What is Enlightenment?” translated by James Schmidt What Is Enlightenment: Eighteenth-Century Answers and Twentieth-Century Questions edited by James Schmidt. Berkeley: University of California Press, 1996, 58-64.

Foucault, Michel, "What is Enlightenment?" in The Foucault Reader. Edited by Paul Rabinow New York: Pantheon Books, 1984, 32-50.
reading response 1


January 30: Enlightenment and the Modern Individual II

Max Horkheimer and Theodor Adorno, "Excursus One: Odysseus or Myth and Enlightenment"Dialectic of Enlightenment. Translated by John Cumming, New York: Continuum, 1998, 43-80.

optional

 Amy Allen, "The Dialectic of Progress: Adorno and the Philosophy of History" in The End of Progress: Decolonizing the Normative Foundations of Critical Theory, New York: Columbia University Press, 2016, 166-176.
reading response 2


February 6: Enlightenment and the Modern Individual III: Contemporary Neo-liberalism

Guest lecture: Samir Gandesha, location TBA 
Theodor Adorno, "Freudian Theory and the Pattern of Fascist Propaganda" The Essential Frankfurt School Reader, New York: Continuum, 1982, 118-137.

Samir Gandesha, "A Period of Enormous Opportunity": the crisis of 'critique'" Open Democracy, Dec. 20, 2019.

https://www.opendemocracy.net/en/can-europe-make-it/a-period-of-enormous-opportunity-the-crisis-of-critique/ (Links to an external site.)



February 13: Mid-term and screening

Mid-term exam
Film Screening: Adam Curtis' "Episode One" Century of the Self


February 20: No Class — Study Break




February 27: Hegel’s Master Slave Dialectic and the New World


Paul Gilroy, "Masters, Mistresses, Slaves, and the Antinomies of Modernity" The Black Atlantic: Modernity and Double Consciousness. London: Verso Books, 1993, 41-71.

Buck-Morss, Susan, excerpt from “Hegel and Haiti” in Hegel, Haiti, and Universal History Pittsburgh: University of Pittsburgh Press, 2009, 21-35.

due: research question and bibliography


March 5: Colonialism, Domination and the Nation State 


Naoki Sakai, "Modernity and its Critique: The Problem of Universalism and Particularism" in Postmodernism and Japan. Edited by Masao Miyoshi and H.D. Harootunian, Durham: Duke University Press, 1989, 93-122.

Elizabeth A. Povinelli "Settler Modernity and the Quest for an Indigenous Tradition" Alternative Modernities. Edited by Dilip Parameshwar Gaonkar, Durham: Duke University Press, 2001, 24- 57.
group work


March 12: Walking The Modern City


Walter Benjamin "Paris: Capital of the Nineteenth Century" in Reflections: Essays, Aphorisms, Autobiographical Writings. Edited by Peter Demetz. Translated by Edmund Jephcott, New York: Schocken Books, 1978, 146-162.

Screening: Cléo cinq à sept, Agnes Varda, 1961.optional: excerpts from Charles Baudelaire, “Painter of Modern Life” in From Modernism to Postmodernism: Anthology. Edited by Lawrence Cahoone. London: Blackwell 2012, 96-101.
due: outline


March 19: Design for a new world

Rahul Mehrotra, "Simultaneous Modernity: Negotiations and Resistances in Urban India" Ruins of Modernity. Edited by Julia Hell and Andreas Schönle. Durham: Duke University Press, 2010, 245-249.

Charles Jencks, excerpts from "The Death of Modern Architecture" and from "What is Post- Modernism?" in From Modernism to Postmodernism: Anthology. Edited by Lawrence Cahoone, London: Blackwell 2012, 457-463.
group work

March 26: Modernity in Ruins?

Latour, Bruno, “Crisis” We Have Never Been Modern trans. Catherine Porter, (Cambridge: Harvard UP), 1993. 💀

Lisa Rofel, "Modernity's Masculine Fantasies" Critically Modern: Alternatives, Alterities, Anthropologies, edited by Bruce M. Knauft. Indianapolis: University of Indiana Press, 2002, pp. 175-193 (optional)
reading response 3

April 2: Final Exam Planning and Review

no readings assigned for this week

now go get a fucking job 

7.06.2019

i) daily meditations 06.06.19

I tried to write every day through my twenties... Something I did rather impartially, always being the resigning underlying thought that I would live up to my own expectations one day and actually make something of myself.

Entering my thirties as of September, i'm sure will be ... quite the trill ... in the case that I actually do live up to my own standards ( something easier said than done ).

I would pace myself, as of the notable shows at the unmentionable student gallery yesterday evening which was actually quite impressive and very agreeable - I am glad to note that I feel like I can happily report with great satisfaction and a genuinely strong and justifiable cause. The work was interesting due to the subversive nature of pop cultural elements, something about the undying epic sparkle of youth culture and the antiquity of the well celebrated titans of contemporary painting in the millennial generation and in that of the nineties that I can only say again makes me so proud to be alive and witnessing the vein of abstract contemporary art work. The show was one that I can say I genuinely enjoyed, despite not knowing the artists ( so far removed from the student body at times ) and the natural syntax in the vein of work through past contemporaries now long gone. Perhaps in my absence from the institution the revival of the work resonated well, I wonder how far behind or ahead the work is now in comparison to what I had witnessed in the early 2010's.

One of the more favourable pieces noted just below was perfectly nostalgic and what would be hypothetically post pulp-art just completely reeked of Richard Prince's Nurse series, one of my all time favourite painters that has the habit of making my retinas feign and my nerval system elate. The typography depicted behind the painted woman depicted reclining through a loose abstract expressionistic whimsical flow echoing the tranquility of Rothko and the frivolity of De Kooning's work in the early 50's. ...


UM AnOther stunning feature in the show was a sculptural element my affiliation and I were both thrilled to dote on, the reappropriated metal sculptural work spanning approximately 6 feet by 4x4 complimented the initial paintings exquisitely triggering a doppler effect through the subtlety and slow opacity of matte oil to the gleaming brilliant polished steel beams of what might appear to resemble an emancipated and reconfigured series of Barcelona by VanDer Rhode. 



Do I love my life ? Yes I do. 



LOVE. 

 cute new art friends ~<3



keeping it klassy 
-thc